Concept proposal · Ideas competition: “Flensburg Memorial to the Colonial Past”

Ballast

A memorial site at the harbor edge of Flensburg.

Grounded in a shared sense of humanity — acknowledging the lived experiences and historical entanglements that connect Flensburg and the Virgin Islands.

Enter the Memorial

01 / Point of Departure

The harbor was the economic center

For centuries, Flensburg’s harbor was the economic center of the city. From here, goods were shipped that were closely tied to Danish colonial history — particularly sugar and rum from the Caribbean islands.

The proposed memorial is titled “Ballast.” The term refers to a concrete historical practice in seafaring: ships sailing to the Caribbean without heavy cargo often carried bricks as ballast. These stabilized the vessel during the crossing and were unloaded again in colonial ports.

In this way, bricks from European port cities reached the Caribbean. What appears to be a marginal material thus becomes a silent carrier of colonial entanglements. At the same time, “ballast” stands metaphorically for a historical burden that continues into the present.

A small cairn of weathered ballast bricks stacked on a pebble beach, with a chalk cliff and driftwood in the background.
Ballast brick washed up along the Baltic shoreline — the ordinary material at the heart of the proposal.

02 / Spatial Design

An inclined surface, descending into the fjord

The waterfront edge is shaped by an inclined, walkable surface made of bricks, sloping down toward the fjord. Parts of the structure extend into the water and are partially submerged.

The installation serves as a place to stay: visitors can sit, linger, or walk down to the water and immerse their feet. The brick structure forms a large-scale grid that can be read as a QR code — only fragmentarily recognizable on the ground, and fully revealed from a bird’s-eye view.

The memorial deliberately remains open and close to everyday life. It integrates into public space without asserting itself as a traditional monument.

  • A walkable brick surface at the harbor edge, sloping toward the water.
  • Partially submerged — the structure changes with the tide and the seasons.
  • Built to be sat on, walked across, and lived with rather than viewed from behind a rope.
Aerial view at sunset of the proposed memorial: a vast grid of stacked bricks forming square patterns at the Flensburg harbor edge, partly under shallow water, with people sitting on the brick surface and the historic waterfront behind.
Concept view of the permanent installation at the harbor of Flensburg, opposite the Maritime Museum.

03 / Visibility and Invisibility

Present, but not always perceived

The project operates within a tension between physical presence and media-based legibility. On site, the installation appears as a simple brick surface. Its meaning is not immediately apparent.

Only through active engagement — by recognizing the structure or scanning the code — does the embedded history become accessible. This approach reflects the way colonial history is often encountered: it is present, but frequently not visible or consciously perceived.

Straight-down aerial view of the memorial. The brick grid resolves into a complete QR code, with the three square finder patterns clearly visible at its corners, bounded by the promenade on one side and dark harbor water on the other.
From above, the grid resolves.

04 / Digital Layer & Collaboration

The code is a gateway, not a caption

The QR code serves as a gateway to a digital platform that forms an integral part of the memorial — a digital layer that complements the memorial without determining its meaning.

The content of this platform is developed in collaboration with Dr. Chenzira Davis-Kahina, director of the Virgin Islands Caribbean Cultural Center, within the College of Liberal Arts and Sciences at the University of the Virgin Islands. Its artistic and digital archival productions and its historical development are institutionally grounded in the cultural research technology made professionally available through the VICCC.

The digital component is conceived as a focused and adaptable format, allowing for selected contributions such as short texts or audio elements. It remains open to gradual development over time, without requiring a fixed or extensive platform structure.

This collaboration ensures that Caribbean perspectives are not defined or interpreted from a European standpoint.

Instead, it creates a space in which narratives, voices, and forms of remembrance from Flensburg, Germany, Denmark and the Virgin Islands can be articulated directly.
The yellow Danish West India and Guinea Company warehouse on the Christiansted waterfront, St. Croix, with the historic town, red-roofed buildings and the clock tower rising on the hillside behind it.
Christiansted, St. Croix — the Danish West India & Guinea Company warehouse on the waterfront. The other end of the same voyage.

In Partnership

Built together, across the Atlantic

The digital layer of Ballast is a genuine partnership. It is authored and stewarded from the Caribbean, not about the Caribbean.

Seal of the University of the Virgin Islands, established 1962.

University of the Virgin Islands

Institutional Partner

UVI is the only Historically Black College and University and Land Grant Institution in the Caribbean. Through its College of Liberal Arts and Social Sciences, the university provides the academic home, scholarly review, and long-term institutional footing for the memorial’s digital archive.

Logo of the Virgin Islands Caribbean Cultural Center.

VI Caribbean Cultural Center

Content & Cultural Research Lead

Directed by Dr. Chenzira Davis-Kahina, the VICCC holds rare collections, oral histories, and archives spanning art, history, ecology, and technology. The Center leads the artistic and digital archival production behind the code — ensuring Virgin Islands voices speak for themselves.

05 / Experience of the Site

It does not demand interpretation. It unfolds.

Visitors initially encounter the memorial as an everyday space: a place to sit, an access point to the water, a part of the harbor edge.

Only through attention and interaction does a second layer become visible. The site does not demand immediate interpretation but unfolds gradually. The connection between physical space and digital extension enables an individual and self-directed engagement with history.

Two visitors sitting and talking on the sunlit brick steps of the memorial, at the edge where the brick surface meets shallow harbor water.
A place to stay — the memorial is used before it is understood.
  • Close view of a person walking barefoot up worn brick steps, moss and fallen leaves between the courses.
    Worn brick underfoot — the ordinary surface the memorial borrows.
  • A winter Baltic shoreline where a long bank of broken red brick meets frost-covered grass and pale blue water, with a low headland beyond.
    Discarded ballast still lines the Baltic shore today.
  • Fort Christiansvaern in Christiansted, St. Croix: a yellow Danish colonial fortification on the waterfront, flying the United States and Virgin Islands flags, with green hills rising behind.
    Fort Christiansvaern, St. Croix — where the ballast was unloaded.

06 / Significance

The weight of history, carried and made perceptible

The memorial consciously avoids figurative representation or a traditional monument. Instead, it creates an open structure that makes historical connections visible without fixing them.

A / Material

The Bricks

The bricks as “ballast” point to the material foundations of colonial trade — the ordinary cargo that made the crossing possible.

B / Access

The Code

The QR code transforms this structure into an access point for knowledge and remembrance, opening the site to anyone with a phone.

C / Perspective

The Partnership

Through collaboration with partners from the Virgin Islands, the site connects Flensburg with the Caribbean islands not only historically but in the present.

Ballast proposes a shared public space that is not simply observed but actively accessed — a place where the weight of history is carried, contemplated, embraced, and made perceptible for healing our shared humanity.

— Ballast Memorial project statement